On this page Anti-Hero Art features a couple of Bukowski haters --- two individuals who insist Buk is a creep and didn't really live up to what he wrote. Conspiracy theories abound about almost everything in life and Buk is not immune to this 90s phenomenom. The first piece illustrates that.

      From this website -- http://www.paperbacks.com/truth/bukowski.htm (which isn't working anymore) --- we get this meandering rant of nonsense:

The Hidden Truth About Charles Bukowski

      He was more than just a "recorder" (his word) about his life. His life was limited when compared to most people. He really only dabbled in the down side of life. He never lived on a real skid row, never hitched, never, ever, had on a boxing glove, never washed dishes (he feared that job with a passion), never drove a truck, never was "on the road" nor was he ever a hobo or a tramp. He had to be drunk to go out on the streets. He was only out of the Los Angeles area wandering for about a year which he did by riding buses and passenger trains. He mostly looked on life from a distance. The little things in life that happen to everyone, in his, he blew up into mythical proportions. He was blessed to write good lines about life and we all agree he did it well.
      He was also lucky enough to run into someone who actually did the things or had close contact with people that did things that Bukowski wrote about in his novels. He dedicated a book of poetry to the man which cannot be found today. It mysteriously disappeared out of all records.
      The man was known as 'Kid Red', 'Stranger Red' or 'Over Coat John'.
      I will refer to him as 'Kid Red'. He was (is) a moody, withdrawn, sensitive and sometimes violent person who could also "flair" with genius acts and words. I ran into him at a hobo cowboy poetry reading in Elko, Nevada in the mid-1980's (he was there for the free food). I immediately recognized him as one of the many forgotten people who passed thru Bukowski's old front apartment during the '60s. I had visited Bukowski often during weekdays and sometimes weeknights when he wasn't working. A lot of people visited the old apartment near Normandie and DeLongpre. Sometimes I would arrive and 'Kid Red' would be dramatically (out of his shell) entertaining Bukowski. I personally heard Bukowski say once, "Red is the only guy that can make me laugh."

'Kid Red' was the ultimate outcast; literary intellectuals just seem to love to study, write about and glorify in some way these types. Having gone only to the 6th grade in school, he was in life from a different perspective than Bukowski. He was born to a renegade Jewish woman who had rebelled against her family almost all her life. Late in life she took up with a hillbilly "lounge lizard" in Indiana. They never married. She had a kid (Kid Red). Several years later she had a mental breakdown. She was committed to an institution where she later died. An uncle on the father's side took the child (Kid Red) with him drifting the USA in the late 50's. The child really never fit in anywhere. Sensitive and observant, he spent most of his youth and his life bewildered and trying to survive in his own way. Growing to young manhood he was constantly hassled by authorities because he was so young and withdrawn. He stood out living as a tramp alone and at other times in an older age group. Wandering America's highways and byways, walking, hitchhiking, riding freight trains, sleeping in city doorways and camping along rivers and streams was unusual for one so young in those days. He told Mr. 'J' (the poet) that he was mentally ill in those days and probably still is.
      Bukowski was introduced to 'Kid Red' by Bob Garcia who today works as a P.R. man in the music business around L.A. Starting with Notes Of A Dirty Old Man, Bukowski used 'Kid Red' as a source of material and a model for his character in his novels. Clear into the 80's and 90's, even in poetry and stories about his own life, Bukowski injected events, sex action descriptions, jail and prison experience, opinions on life, triumphs and defeats - all that came out of 'Kid Red's' own life.
      When Bukowski was with 'Kid Red', he was always urging him to talk about anything and everything. He liked to ply him with beer during marathon talks at the old apartment on DeLongpre. I remember Mrs. Bukowski fixing delicious hot coffee during the early A.M. for the crowd as they were fixing to leave. 'Kid Red' spent time shopping with, dining out with and even going to the race track with Bukowski. A later lover of Linda King's stated that she mentioned, "Bukowski was fascinated by 'Kid Red'". At a fete held at Barnsdall Art Gallery in L.A., I personally overheard Bukowski saying, "'Stranger Red' is my best friend".
      At the hobo poetry reading where I ran into 'Kid Red', we talked for over a half hour. I told him several films were made about Bukowski's life and he had become somewhat famous. The 'Kid' thought Bukowski had died during the mid-70s. Here are some excerpts from the verbal exchange:

  • "Bukowski implied to me that he was dying from terminal cancer; that is the reason I was always entertaining him."
  • "He was always talking about death. He would have committed suicide if Linda King had not come along when she did. She got him out of it."
  • "They told me he was wise and gifted. I was confused by life and still am. I thought he could explain things to me but he always wanted me to rap about anything and everything that came to my mind."
  • "Mrs. Bukowski was the only noble and self-sacrificing person I saw surrounding him."

      So much for this little essay. Everything written can be verified by people who knew Bukowski in the late '60s and early '70s. People such as John Bryan, Marge Balfour, Leo Frank, Chris Russo, Mrs. Bukowski, Rick shannon (actor), 'Gypsy Boots', Bob Garcia, Harry Booker III, the Cherry Kid (poet), Floyd Cook (Shoshone Indian and Vietnam vet, drinking buddy of Bukowski), 'Mountain Dew' (king of hobos), Jo Anne Lewis (drinking friend and ? of Bukowski) and countless others of hanger-ons, groupies, ex-students, writers, jealous poets (Mr. 'J') and literary types (who Bukowski professed to hate and ironically was one of them).
      Today I am told 'Kid Red' was last seen wandering about and being taken care of by children out on Danna Drive in Windsor, South Carolina. Ill, wearing dark glasses (cataracts) and sometimes hobbling on crutches, it looks like the old wandering Jew can't wander much anymore.
      Feel free to distribute, mail, write about, publish this truth. I could have sold a tabloid story, if I wished. I choose not to make money off of someone's wretched life. You do what you will.

August 4, 1994 7:00 pm
Kenneth Giles
P.O. Box 1846
Beverly Hills, CA 90213


Some website called FURBALL (it's none around anymore) plastered an unflattering rant on Buk. Most Buk detractors are morons and this guy is the perfect example.

Charles Bukowski : Lover Man

      Damn. The easy appeal of the 'Counter Culture' is deeply ingrained. Because of it's apparent contrary nature, it has become gospel to the clever clever. Seemingly opposed yet, as a belief, structurally the same --- dogmatic. Wherever it stands, you have to take it on board with the same ferocity as Christianity; whole, holy and unquestioned. I wouldn't surrender my intellect to Jesus Christ, and I certainly wouldn't to Manson, Burroughs, or any other daft fucker purporting to hold truths.
      Charles Bukowski should require no introduction. As a late runner in the 'Beat Writer' stakes (about 15 years, there's a time and a place for everything) his studies of low-life experience are cherished as honest, painful accounts of the frailty, sadness and beauty of life. Naturally a revelation to all who chance upon him.
      Brothers and Sisters, we at Furball are not subscribing to that junk today, preferring to see him as an inept writer adored because (amongst other reasons) he appeals to men's nasty little fantasies and theories.
      The author's alleged talent lies in the notion that what he puts on paper for you is TRUTH, "raw and straight from the gut". Oh Lord... let all our phrases be fuelled with testosterone from hereon in. The fact that he does get clean away with it lies in a big problem amongst his audience, who are happy to believe fiction to be true if written in a factual style.
      Bukowski's tales of godlike amounts of sex and alcohol are, in their own way, as fantastical as Tolkien's. "Did I ever tell you about the time I woke up, drunk as a bum, with sick down my shirt, giving head to the Hobbit. Substitute 'woman' for 'Hobbit' if you want, as both are mythical creatures in his world.
      Seeing as everyone is aware of the theory that the amount you talk about sex is always in inverse proportion to what you're receiving, isn't it about time we saved up to get Charlie laid? Just a suggestion.
      A late entry in the hilarity stakes appeared yesterday when I received an answer machine message from said little poet. Well, would you have picked up the phone? Somewhat of a bubble burster this, for instead of sounding like Tom Waits crossed with Tom Waits, Bukowski sounds more like Dale from the notorious Chip'n'Dale brothers. And remember, it was Chip who will always be recalled as the butch one.
      As hinted, Charlie also likes to see himself as something of a poet, oft preferring it as his mode of discourse. Now, everyone knows that there's only one poet around, and that's Link Wray, and he only gets away with it because he doesn't use words. Poets - that rare breed of writer who find psychological comfort in preposterous sentence structures. I'll tell you this; there must be some pretty mighty meanings out there if the old sentence can't cope to be crushed under the weight of lofty thoughts. Listen, I don't want to tell you how to live (quite yet) but if you can't make do with God's own sentence, then your beret will be stapled on next time, poet boy.
      Any women out there who get their yucks from Bukowski's musings? None? It's that old Devil misogyny, gets 'em every time. No wonder it's almost exclusively dour young 'beat' men who eulogise his work. Ever noticed that these are the same fools who spend their time either apologising for, or defending, his stuff dependent on whether they are currently dating. If I may be allowed to elaborate: single men in particular love Charlie because he can confirm all their dark little feelings about women, the dark little hang-ups and theories you really are better off not knowing about. But that's okay now, because you and your favourite author can plan together long distance, diffusing your own faults by mutually confirming that they're all bitches, anyway. Easy. So, all along, you've not had the problems, it's the other half of the fucking planet.
      "Yeah, but it's the author's truth that counts". Lamest fucking excuse on the block. Theories of authenticity don't count here at Furball. A misogynist is simply that, and needs to be slated just for that. Time to step down off the high horse for a moment.
      Ever met a woman like those creatures who inhabit such books? "Hi, I'm Rosie, and to me, giving a flatulent alcoholic blow jobs for the rest of my earthly days sure sounds like fun. Particularly if he doesn't give a toss about me". Bukowski's women are only otherwise seen in porn mag letters pages where at least the authors acknowledge their fiction is just that.
      We are reminded often by the author and his press of Bukowski's fondness (nay passion!) for classical music while being a bum writer. This is a purposive hint that this writer should be taken more seriously simply because he understands the 'higher' arts. What it in fact says is that Chuck succumbs to the same values as most other fuckers on the street - the artificial distinction between high and low art. You see, his passion sets him apart from the rest, turning him at last INTO AN ARTISTE. Which is, of course, tripe, because every person worth his/her weight in amphetamines knows that punk R'n'B is the true path to enlightenment.
      And another thing, only R'n'B is allowed to be all the same, not second rate authors. One person's consistencies are another one's limits realised.
      Perhaps it's time we reversed back over writing styles a few times just to make sure. No surprises here when I tell you Charles Hilary Bukowski can't write for whisky. The guy's characters, for example, are flat, offering no insight, except those garnered from macho grunts 'cos men don't say much, maan, they jus' communicate.
      Take 'Women' (the novel) for example (ever wonder like mad fems like Andrea Dworkin exist? Here's the reason) reading it is like poring over a street map of a dull town resplendent with all the depth offered by an A to Z.
      Then, a new intellectual problem arises. The text is now officially 'open to interpretation': scholars beware, as there is always a gaggle of over-intellectuals ready to springboard into the empty pool that is Charles Bukowski. Throw in enough, and any void can be filled.
      Oh yeah, and when did something become interesting merely on the grounds that it is allegedly real.
      If Charles Bukowski serves any purpose for our peerless youth, then it is merely as a safety valve. Is the pressure of being middle class getting to you? Well, settle down and learn what it's like to have it tough on the streets. The second-hand safety.
      If the audience are playing Skid Row fantasies, then again we're hurtling back to our old games master, Tolkien. Given that this is true (and make no mistake, it is) then fans of Chuck are only a couple of all-important chromosomes above that other cultural vermin... the Crusty. For if there's one thing that youth culture at present reveals, it's that the dirtiest of all admissions is to confirm that you are middle class. An evil trait that must be covered up at all costs, whether it be by wearing para boots and stinky jumpers, or imbibing the literature or 'gritty poverty'.
      Meanwhile, back in my ideal world, I dream of us all dressed in tailored suits, independently wealthy (TIP - never work), wearing out nothing but our kidneys on dangerous intoxicants, and once a week laying down our prayer mats toward Saville Row.
      Anyway.
      Charles Bukowski will forever negate any power his work might hold by being a fantasist, and in turn his reader (the single white male) masturbates over His truths of life, adding their own romances, turning the whole into a cocktail; one part truth to twelve parts fiction.
      Parting gesture: The Bukowski Admirers Paradox (B.A.P.)
      Picture the scene: you're in a bar full of old men, and one old fella stands up to spew out his views. He's bitter and twisted because everyone knows that advanced alcoholism goes hand in hand with a dose of the Chalfonts. He's there to tell you that you're all fucking dogs, and that most women just need the sight of a 'real man's cock'.
      It's a simple choice, do you laugh and carry on your fine pursuit of the devil drink, or do you drool over every word and buy every samey novel the daft bastard might ever write?
      Well?
      --- Richard Hector-Jones


Life Sucks. Drink Beer. Life Sucks. Drink Beer. Life Sucks. Drink Beer. Life Sucks. Drink Beer. Life Sucks. Drink Beer.