Linda King was the woman in Buk's novel WOMEN who tried to run over him with a Volkswagen. She also sculpted his head in bronze. So she tried to kill him then made him immortal (at least his head!). If that's not real love for a man then I guess I don't know what true love is. In her fifties, she now lives and works a shit job in Phoenix, AZ. She's slowly but surely writing her own book about Bukowski, about their years together in the early to mid-70s. She told me in a
letter dated February 25, 1997: "I have been rewriting the first part of my Bukowski book. I think I improved it quite a bit in the rewrite but now I'm back to plowing ground again...with nothing but my old mule. It's slow going, but I am keeping my mind on the harvest...the harvest..." She then sent me this letter dated April 17, 1995: John Martin (of Black Sparrow Press) hasn't contacted me about (publishing) my (Bukowski) book. What he wants is Bukowski's love letters to me. He wants me to just give them to him for the honor of being published, I guess. No, really, when John Martin hears I am writing a book he writes and tells me what I can't write. He tried to kill it. John Martin said he is the only one who has the rights to publish Bukowski's letters. I told him I thought since I inspired the letters I ought to make some money off them. Not just Bukowski's wife (Linda Lee), or him, since he already has a lot of money (from publishing Buk's books). I don't have a publisher or anyone trying to get the rights. I'm not trying to get one right now. I want to write the book first. I'm not sure I can write it. I want something to sell first.
To say the least, Linda King and Bukowski had a very stormy relationship. They fucked hard and fought even harder. I can't wait to read her book. In the meantime, she's sent me some of her writings about Buk in the past couple of years. Here's some of it:
"Wrote this poem when I heard Bukowski had cancer --
Dark clouds gather
rolling in old memories
lighting, thunder
a cloud burst in my eyes
and rain, rain, rain
As old man river
crests 50 feet
above what is normal
I know tomorrows
are uncertain
I knew someday
there would be
a world without
my heart's song singing
but that knowledge
saddened the skys
bring rain, rain, rain
© 1994 Linda King
Here's a poem she wrote after hearing of Buk's death:
No one told
me of his death
from L.A. to San Francisco
my nephew called from Utah
when he read about it in USA TODAY
but then I
wouldn't have
been invited to
the funeral anyway
I just went into
my own Bukowski
Bukowski, Bukowski
chant and I knew
he'd probably
be coming on over
and when he came
I invited him to
lay down by me
like we did back then
of course none of them
knew or understood
my heart or his
Bukowski knew
he knew
and knew and
knew and knew
through all of his
denial he knew
what I did
what he did
what was between us
nothing could change it
not even death
It was best
that we didn't
see each other
again in this life
I was right
to leave him
It was right
not to take
his drunken abuse
and his unfaithfulness
and free him
to enjoy the
fruits of his fame
especially after
I'd already had
his love
© 1994 Linda King
And here's one more fine Buk poem from Linda:
I am the woman who knows for sure
that Bukowski's balls were bigger
I am the woman who knows
that he liked hot chilies
in his stew
I am the woman who
introduced him to shampoo
and Lucy Ball and Jerry Dumphy
I'm the one who removed
all the blackheads from his back
and front and face and behind
I am the one who slept curled
inside the curve of his body
I cut his hair and his toenails
I bet with him at the track
laughing when I had the winner
and he had the loser
I knew his systems that worked
I rode in his old blue Comet
through East Los Angeles
where we stopped for a burrito
we wrote seperate in the same room
he took his turn at the dishes
I was the medicine for his hangover
after a split and a three day drunk
I was the woman he could fall into
sometimes for days and feel whole
the bright plesantness of that bedroom
on Edgewater Terrace will forever live
in my memory with pure pleasure
the laughter and the witty stories
the art, the sculpture, the reading
the laughter, the love, the laughter
© 1997 Linda King
Linda also wrote this next piece for Len Fulton's long-running SMALL PRESS REVIEW in May of 1973. After reading this you'll definitely be looking forward to her Buk book, wishing it was already out. I'm certainly excited about it. Okay, that's enough of that rah-rah stuff here goes:
BUKOWSKI
"Charles Bukowski? Never heard of him," I said.
"He's the best poet in L.A."
I picked up a small poetry mag...Laugh Literary and Man the Humping Guns..."In disgust with poetry Chicago, with the dull, dumpling pattycake safe Creeley's, Olsons, Dickeys, Merwins, Nemerovs and Merediths..." I started reading his poem, "The Grand Pricks of the Hob Nailed Sun"...getting to the line..."God tongues out your asshole" I asked, "Is this Bukowski guy homosexual?"
"I don't know..." Just then a yelling and bellowing starts across
the street. Two guys are wrestling. "That's Charles Bukowski coming right now...maybe you can ask him." The younger guy comes in first and Peter says, "Hey, Neeli, you're Hank's friend. This lady wants to know if he's homosexual."
"I don't suck his cock," Neeli answers.
And I'm thinking...these guys..."Be quiet out there," a black
woman yells from inside, "The reading's started." My sister and I duck behind the blanket into the dark poetry hole...The Bridge. Bukowski, Neeli and Peter enter with beer and wine. They get settled on a mattress. Bukowski eyes the legs of a woman in a mini-skirt. He listens to about three poems, picks up his beer and walks out.
A couple of weeks later, at the same place. I'm listening to the
flute, trying to be entertained, my nerves crawling for some action. I finally whisper to Peter. "God, doesn't anything ever
happen here? Where's something exciting? Some action?" And the flute went on calmly, quietly. Peter made a phone call..."O.K., we'll be right over." and he turned to me. "I'm taking you to Charles Bukowski's." I thought to myself...am I ready for this? Peter drove like a madman, screeching his tires into a liquor store for a six-pack.
"Look, Peter, why don't I get my car and follow you?"
"O.K.' and he squealed his tires back to The Bridge. "I'll be
right out. Got to get the money." He ran inside. Through the
window I could see him arguing with the black singer...his woman.
The door and windows of Bukowski's court were overgrown with bushes. Bukowski was old...too old. Fat...too fat...and rather drunk.
"I want to introduce you to..."
"Morona."
"...to Morona..."
"Come on what's your name?"
"That's it. I just want people to know right away I'm Morona
...kind of dumb...so they will know what to expect. They can
never say I didn't warn them."
"O.K., Morona sit down."
Bukowski didn't say much. He looked at me like I didn't have
eyes, ears or a soul. We said this and we said that and Bukowski
talked like he'd seen it all, heard it all, done it all. Peter was
laughing and lively and the conversation got around to poetry.
"So you write poetry," Bukowski said. He and Peter gave each other a look.
"Yes, I write. I was about to crawl up the walls in that place...
the flute going po. po. pooo. po., the poets read so quiet.
Doesn't anyone scream in this city. I like to scream mine like
this..." I started a poem.
Peter jumped in front of me yelling, "No, no, not to Charles
Bukowski...not to Charles Bukowski."
"Why not to Charles Bukowski? I don't know him," and I jumped on the table acting out the madwoman in my poem. Bukowski reached over and turned up the radio full blast to drown me out and Peter grabbed me trying to put his hand over my mouth at the same time screaming obscenitites. I jumped off the table holding out above the roar.
"Let's dance...let's fuck...," Peter yelled, pushing against me.
"Let's do the thing..." The poem is finally over.
"It's a goddamn rhymer...I knew it. Nobody rhymes anymore."
"Just we morons. I still like nursery rhymes too."
"That's right. Your name is Morona. I see."
The phone rings. It's Peter's girl friend. "I've got to go," he
says, "but you've got to kiss me first."
"Peter, come on, leave me alone." I get up.
"Bukowski, let's both fuck her."
"I'm going," I said.
"Oh no, you're staying here . . . with Hank." Peter hurls me down on the couch into Bukowski's arms and runs out slamming the door behind him.
Everything gets very quiet. I look at him. He looks at me. I know I'm not going to have anything to do with him. He knows he's not going to have anything to do with me. We kiss a couple of times. I don't let him really kiss...just a touch. Hummm, a touch or two more.
"You're a tease."
"Yes, I'm a tease."
He tries again. A kiss, but not a kiss.
"Little Bo-peep has to go now."
"Wait..."
Standing up our lips touch again...just a teaser. I slip out the
door feeling like I might have just barely escaped a lion's cage.
***
I went to four books stores before I found one with Bukowski.
His books had a strange effect on me. I read them through my
company, hiding in the bathroom, all night, later staring at the
walls, wide awake. He made me laugh out loud, he made me
furious, disgusted, indignant, sad. I thought, what is this man;
Does he really think women are like that?..."Well, he's a good
writer, but he doesn't know shit about women."
The next poem I wrote also rhymed (he wasn't going to tell me if I could rhyme or not). It was a long, bad poem with some lines reading...
come out of that hole, you old Troll
come and frolic
with the little liberated Billies
we'll put some daisies in your hair
I sent him the poem and asked if I could sculpture his head.
***
It was nine at night when I knocked on his door to take pictures
for the sculpture. I thought we'd talked two or three hours,
before I decided I'd better go home. I walked outside. The sun
was coming up. It was morning. I couldn't believe so many hours
had passed so fast. I was still sure I'd never get involved with
Charles Bukowski. He was twenty years older. I didn't like his
negative attitude toward people. And, the drinking, no sane
woman would get involved with him. I went home and dreamed
he was lying on the side of a road dying. The supermarket was
over the hill. If he didn't get over the embankment to the store
he'd die. Alone he'd die. I saw in the dream a big bridge and
construction just started that he and I were to build, but he
had to have food first.
When I told him the dream he said, "Maybe it's because I haven't eaten for four or five days. I've been drinking."
"You'd better get to the store." I said.
***
Over the clay I fell in-love with his head...or my head. I teased
him, looking into his eyes, long looks, pretending I was only
looking with a sculptress' eye. I knew I was getting him hot
and I'd say, professionally...
"Now, turn your head a little more to the left."
Every new day he came for a sitting it was hotter and hotter
until finally he was reaching over the space between us,
backing me up against the stove, the refigerator for long
kisses, great Kisses. He was losing weight, on the breath
chasers, in new shirts. I kept having to take clay off the face
as the pounds disappeared. Every-day he'd go home and
write back a love letter, great long hot letters making me
forget he was too old for me, that my mother wouldn't ap-
prove, that he drank.
And I found myself stating my terms, "I'll never get mixed up with a man again who doesn't like to eat pussy..uh..huh...never again. If a man doesn't like it...he doesn't like it. There's no way." And one day when the kids were outside, the sculpture still unfinished (it took months), he locked the doors and carried me into the bedroom, kicking and screaming..."No we can't..." and proved to me he did like it. He sent me the poem, "I have eaten your cunt like a peach," which I read in the middle of the night and turned on fire. I called him up and masturbated listening to his voice on the phone and still I said..."No, he's too old for me. I can't. It's crazy."
Godomighty, I loved his humor, the look in his eyes, his sardonic comments and he kissed like...well, like great.
"Do you want to come to a party tonight?" he asked me. "It's a collating party."
"A copulating party? I'd love to. No really, what did you say? Co...what?"
"Putting the magazine together, that's collating."
"Oh, sure. Who's going to be there?"
"A bunch of half-assed poets,...myself."
"Poets, look, I'm scared. I'm from the country. I don't know how to talk."
"You don't have to talk. Just be there."
"Now if it was a copulating..."
"It will be you and me...after....."
My little girl ran in breaking up another long kiss. The steam
was blowing out of both of us like a pressure cooker and I
didn't know if I wanted to be alone with him. All this time,
all these days and weeks of sculpturing I'd been protected by
my sister dropping in, my little girl, my son coming home from
school. This time we'd be alone...really alone.
That night I dreamed Bukowski showed me something he didn't show many people - his closet full of stuffed animals. Toy bears, elephants, wolves that had never been touched. I thought how sad no one had ever played with them. The same night I dreamed that my handsome actor friend, whom I'd also been thinking about, had cancer of his poetry, two thirds of the paper was eaten away.
***
His bedroom was stacks of books, poems, newspapers, old letters. The mattress was like a rocky road. I jumped up from the bed screaming..."You came inside! Jesus Christ, man, I told you I don't take birth control..."
"Look, I haven't been with a woman in four years. I was too hot. It just happened. What do I do?"
"Do? You're fifty years old...you're supposed to know things. Any eighteen year old would know what to do...by jesus christ...you'd better decide on a name. I'm pregnant for sure with that shot."
"...the first time."
"How about Clyde K. Bukowski?"
Later. "I guess the only thing that saved me was probably all
your sperm were pickled with alcohol."
***
Bukowski was a mass of sensitivies, egotism, uncertainties,
confidence...humor, talent. The first month I was with him the unknown enemy was coming out of the walls. He had a knife taped behind the door. He jumped up five times a night facing murderers. He couldn't sleep. He couldn't sleep...and shadows spoke. Spirits stood around the bed watching us. Death walked down the sidewalk every night.
One night we lay in bed having a conversation with the light. It went on for yes, off for no. Each off and on was carefully answered after the question. We both got spooked. We'd lay in the mornings when the kids were gone and he'd say, "Let's just lay here until they come and get us."
***
"O.K." Days would pass fast...always too fast. When the fights started we fought like tigers. God, did we ever fight. Bukowski jumped up and ended everything, walked out and we'd call each other all night, hanging up after having our say. I accused him of picking fights to get drunk. And he'd call at two, three, four, five with raving madman, drunk, poetic speeches about women, souls, love and hate. Crazy beautiful lines. What word power. I was impressed in the middle of my worst rage.
In the middle of the night he'd return the sculptured head and
I'd find it on my doorstep in the morning. He'd come again and leave a letter..."I hate you with all the hate there is in the
world." We split forty...fifty times in a year. Each one final
for both of us. Each one the last. I was a tease and a flirt and
when he was drinking, I was the whore, looking for other men, turning on for everyone, at the races, at the restaurant, at the park.
"You and Jane are the whores of the century!"...better than that...only Bukowski can say it like he says it with all the em-
phasis and words and lines. He'd slam down the reciever. I'd lay on the bed boiling until I thought of an answer. Dial his number...normandie 1...
"Bukowski, don't hang up until you hear this...I just want you to know there is one thing worse than a whore. It is a bore...and you're boring me." Slam. I took my phone off the hook so he couldn't call back.
Hard on the nerves? Yes, but knowing I was never going back to him. It was all over this time...made it not so bad. It was drama. It was life. We'd make up with mad crazy passionate lovemaking both of us knowing we couldn't make it together. Both saying, "Let's enjoy this one last time..."
Laying by Bukowski on the bed I'd feel a heat or rays of some kind coming from the center of him. It would move into me and warm me in a way I'd never been warmed. Sometimes it was so strong I'd put my hand over that area and test it to make sure it was real. The same vibes would enter my hand.
***
Bukowski is a person who changes. He listens to what you say. He reacts to how you feel, immediately. From day to day he comes back with a new approach, a different way to get to me. He read my moods like an open book and usually knew immediately what was passing through my mind, even if he was at his place, I at mine. Countless times he'd call and say, "What's wrong?"...just as something was
wrong. He'd say, "What happened at three o'clock...something happened at three o'clock." Usually he was right, an old boyfriend had called or I'd gotten angry at something he'd said yesterday.
***
His sensitivities were too raw and he'd dull them with alcohol.
His body didn't like the drunks anymore than I did. I'd think he was being unfair. Our two tempers would explode like shooting geysers and we'd roar down our emotional roller coaster with one more fight...one more split up. I to my freedom, he to a woman who really cared or back to where he had it all solved. I refused to be his nurse through his hangovers. I'd jump in my car, go up the coast, go to Utah...go anywhere, until the day I go mad enough to rent a U-haul and move three states away....to really end it for the last time..."the mad...ass, son of a bitch."
After four months, three or four hundred dollars in phone calls,
a new woman for him, a one night stand for me, I'm back in town to make a new start. How did he get back in my bed? Marvelous, two weeks straight of love...two, three times a day. We couldn't get enough of each other. I felt like rolling all over him...in every direction. Soak up those feelings.
It's not because he's a great poet. He is, I know that. It is all
that magic on the sheets, in the afternoon, in the morning...at
midnight, the real poetry. We've only split once this month.